30 filmmakers have been shortlisted for the Sony Future Filmmaker Awards.
The filmmakers were selected for their originality across fiction, non-fiction, animation and student filmmaking. The shortlisted winners will be given the chance to attend a four-day immersive program behind the scenes at the Sony Pictures Studios in Culver City from June 2-5.
The awards ceremony will be held on June 5.
Creo in partnership with Sony established the awards to nurture the filmmaking talent of tomorrow and to provide a portal into the industry for filmmakers from across the globe. Each year, the shortlisted filmmakers are flown to Los Angeles for an extensive program of workshops, screenings and events, fostering talent through opportunities to expand filmmakers’ networks and giving them direct experiences right in the heart of Hollywood.
The shortlist was chosen from over 11,750 films submitted by more than 7,500 filmmakers across 158 countries and territories. Australia, Burundi, Chile, Colombia, Germany, India, Indonesia, Lebanon, Mexico, New Zealand, Nigeria, Portugal, Sweden, Switzerland, Taiwan, the United Kingdom and the United States are among the countries represented on the shortlist.
The selected works span a diverse array of stories, including a drama about an inmate firefighter battling parole denial amidst a historic blaze, a tale of Chilean shellfish divers searching for answers about a missing relative under Pinochet’s regime, an animated fable of a piglet and a wolf forging an unlikely friendship, an elderly fieldworker outshining her AI substitute, and a stirring exploration of Australia’s First Nations using fire to renew the land.
The judging panel of industry leaders includes filmmaker and writer Minhal Baig (We Grown Now”); President of 3000 Pictures Elizabeth Gabler (“Where the Crawdads Sing”); Jason Reitman (“Saturday Night”); and director and Chair of the Jury Justin Chadwick (“Mandela: Long Walk to Freedom”).
In a statement, Chadwick said, “These 30 filmmakers don’t only tell storiesv—vthey create whole new cinematic worlds. From tales of defiance in the face of adversity, to stories of hope for our planet, the films that make up this year’s shortlist have the power to transport their audiences. Chairing this jury for the third year, I am once again deeply impressed and encouraged as we look to the future of filmmaking through the eyes of these brilliant talents.”
Faith Olaewe & Doyinsola Ajayi (Nigeria), EbonyLife Creative Academy, “Angel in the Stone” -Shalewa, a reclusive autistic teenager, uses her metalworking skills to save her family from ruin.
Bijan Gashti (Islamic Republic of Iran) was named the winner of this year’s Future Format competition, which champions a new generation of aspiring filmmakers by welcoming short films shot exclusively on a smartphone. “Select/Or,” explores the tension between control and free will when individuals are left with a single instruction. As part of his prize, Gashti receives Sony Digital Imaging equipment and is invited to join the four-day immersive program at the Sony Pictures Studios in June.
The shortlisted filmmakers for the Future Format competition are Joni Astin Ariadi (Indonesia) with “Sleeping Monster,” and Siwei Yu (China Mainland) with “Love is the End.”
The films and filmmakers shortlisted for the Sony Future Filmmaker Awards 2025 are:
Fiction – This category rewards narrative-led submissions that convey an original fictional story orevent.
Miguel Angel Caballero & Luis Antonio Aldana (USA), “The Ballad of Tita and the Machines” -In an AI-driven future, an elderly fieldworker is forced to contend with her robot substitute, but when it fails to compete with her she draws the attention of its creators.
Ethan Evans & Jess Bartlett (UK), “Outside Noise” – A woman’s sleep app blurs reality and conjures a terrifying presence in her room.
Alexis Gómez (México), “Bumbumpapá” – A father fights to preserve his daughter’s innocence amid the darkness and uncertainty of war.
Meng Han Hsieh (Taiwan) & Menna Morgan (UK), “The Test” – A woman taking her UKcitizenship tests faces hostility and micro-aggressions, escaping into her imagination toexpress herself.
Irene Lopez & Robin Asselmeyer (Sweden), “Killing R” – In an AI-integrated future a motherfantasizes about destroying her household clone.
Linda Ludwig (Germany) & James Curle (UK), “Under the Blue” – A worn out police officer ona late shift is brought in to investigate a petty crime, finding more than meets the eye.
Andrew McGee (UK), “First Sight” – Luna is finally ready to re-enter the world of dating, buther reliance on her smart contact lenses takes a dark turn.
Rossana Montoya (Colombia), “My Demon” – As they race to the hospital for the imminentbirth of their first child, Eva and Jacobo clash over their relationship.
Florine & Kim Nüesch (Switzerland), “Marriage Unplugged” – A couple’s sex robot experimentexposes hidden fractures in their marriage.
Robin Takao D’Oench (USA), “Fireline” – An inmate firefighter who has been denied parolebattles a wildfire while yearning to return home.
Non-Fiction – This category awards short films that are predominantly factual in content. These caninclude archive footage, documentary footage, reenactments and animation.
César Flores Correa (México), “A Field That No Longer Smells of Flowers”- In themunicipality of Villa Guerrero in Mexico flower growers and their families grapple with theimpact of the toxic chemicals used to cultivate the flowers.
Will Hewitt & Austen McCowan (UK), “Have You Seen The Beast?” – The filmmakers probe amysterious big cat sighting in Wales through a series of eerie local testimonies.
Kieran Hodges (New Zealand) & Eduardo Vento (Portugal), “Justice Brothers” – Young surfersin Ghana help to empower local women through a surf school.
Juliet Klottrup (UK), “Travelling Home” – An English Romany Traveller reflects on his heritageand the annual pilgrimage to Appleby Fair.
Annabel Moodie (UK), “Friends on the Outside” – An incarcerated man finds solace in foragingand connecting to nature.
Loic Niyonkuru & Floriane Kaneza (Burundi), “Before 16” – A woman recounts herexperiences raising her child after a traumatic assault at age 16.
Stefan Pollak (UK), “ALT Jay” – A disabled man’s passion for CrossFit helps break barriers andcreate community with support from his identical twin.
Kirsten Slemint (Australia), “Burnt Country”- First Nations wisdom, 65,000 years in themaking, uses fire to fight fire and offers lessons for Australia’s ecological future.
Riah Taipodia (India), “Khiew Ranei” (Black Clay) – A 9-year-old inherits her village’s potterytradition, passed down through generations and carefully preserved.
Shaquille Zaki Nathandra & Quina Qaumitaquna Mirxela (Indonesia), “Tanah Kitai” (OurLand) – Borneo’s Iban youth fight to preserve their land and identity against encroaching loss.
Animation – Animation embraces filmmakers using stop-motion, motion graphics, computeranimation, drawn-on-film, rotoscoping, experimental animation, and additional available techniques.
Rich Farris (UK), “From The Top” – Robin grapples with letting go of her drum kit and herpassion.
Case Jernigan (USA), “Noggin” – Through a deeply personal narrative, the filmmaker builds ‘amemory palace of love and ink’ exploring life with multiple sclerosis.
Santiago O’Ryan & José Navarro (Chile), “Hermanos Casablanca” (Casablanca Brothers) – Atthe height of the Pinochet dictatorship, two divers agree to help an army official in the hopeof receiving information on their missing sister in return.
Fadi Syriani & Jana Wehbe (Lebanon), “The Day Vladimir Died” – In Beirut, the day-to-day lifeof an elderly man is punctuated by grief and mourning both for lost friends and for a cityundergoing rapid change.
Leo Wright (UK), “The Big Bad Wolf” – Set in an industrial pig society, a wolf and a pig form anunlikely friendship, defying prejudices and the cautionary words of the age-old parable.
Student – The Student category rewards filmmakers studying a film course at a registered institution at adiploma or degree level worldwide.
Luis J. Arellano (México), Centro de Capacitación Cinematográfica. “Long Journey Till Dawn” – After the death of her young daughter, a grieving mother kidnaps a baby, confronting thedarkness within herself.
Muhammed Ashfaque (India), K R Narayanan National Institute of Visual Science and Arts, “URA” – In Bethlehem, the unexpected arrival of Maria, a pregnant nun, into an isolated convent run by a community of elderly nuns sets off a chain of events.
Gianfranco Fernández-Ruiz & Gus Murray (USA), American Film Institute, “When Big People Lie” – Eight-year-old Elvis witnesses a dramatic family shift when his mother arranges a green card marriage.
Hayder Hoozeer (UK) & Franz Böhm (Germany), The National Film & Television School,“Rock Paper Scissors” – Based on a true story, a father and son in a warzone hospital facelife-or-death choices as their hideout becomes increasingly compromised.
